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Caspar David Friedrich (1774-1840) was the pre-eminent artist of the German Romantic movement of the early nineteenth century. William Vaughan analyses the mysterious landscapes paintings with gothic ruins and silhouetted figures to reveal how the artist was influenced by the philosophical ideas and political events of his time. Caspar David Friedrich (1774-1840) is now recognized as a leading artist of the German Romantic movement of the early nineteenth century. He is known as the painter of images of a strange and compelling beauty: mysterious landscapes with barren trees, figures silhouetted against the evening sky, and gothic ruins in wintry mists. The meaning of these pictures has long been disputed, but William Vaughan argues that Friedrich's aim was to convey the spiritual experience of life. For Friedrich, the contemplation of nature can lead us to understand the deeper meaning of things.
- Sales Rank: #2019498 in Books
- Brand: Brand: Phaidon Press
- Published on: 2004-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.38" h x .88" w x 6.38" l, 1.50 pounds
- Binding: Paperback
- 352 pages
- Used Book in Good Condition
Review
'An illuminating and jargon-free study of the son of a candle-maker who became the leading artist of German Romanticism.' (Independent) 'Art & Ideas has broken new ground in making accessible authoritative views on periods, movements and concepts in art. As a series it represents a real advance in publishing.' (Sir Nicholas Serota, Director, Tate London) 'The format is wonderful and offers what had long been missing in academic studies: usable manuals for specific themes or periods ... I am definitely not alone in welcoming Art & Ideas as a precious set of teaching tools.' (Joachim Pissarro, Yale University) 'Friedrich is revealed in this intelligent, beautiful monograph to be an artist of extraordinary scope'. (Independent) 'Illuminating text ... excellent illustrations.' (Sunday Times) 'An up-to-date, accessible overview of Friedrich's career that sets him in context, amply fulfilling the 'Art & Ideas' series mission statement.' (Galleries) 'Highly illuminating ... scholarly yet easy-to-read ...Everyone keen to explore the relationship between art and faith should read this splendid book.' (Baptist Times)
About the Author
William Vaughn, Consulting Editor, is Professor of the history of art at Birkbeck College, University of London.
Vaughn is Pevsner Professor of History of Art at the School of History of Art, Film and Visual Media, Birbeck College.
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