Ebook Arranging for Large Jazz Ensemble, by Ken Pullig, Dick Lowell
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Arranging for Large Jazz Ensemble, by Ken Pullig, Dick Lowell
Ebook Arranging for Large Jazz Ensemble, by Ken Pullig, Dick Lowell
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(Berklee Methods). Create arrangements with texture and style with this complete guide to arranging for large horn sections! Now, for the first time, learn the same jazz ensemble arranging techniques taught by renowned Berklee College of Music faculty, and studied by the best and brightest arrangers working today. While the book focuses on classic big band and jazz styles, the core information about horn harmony and arranging can be used for any style, from hip-hop to ska. Arranging for Large Jazz Ensemble includes all the information you need when creating horn charts, fueling and inspiring you with the charts of esteemed Berklee professors Jeff Friedman, Ted Pease, Scott Free, Greg Hopkins and Bill Scism. The play-along CD includes more than 60 demo tracks and arrangements written in the style of masters such as Count Basie, Duke Ellington and Gil Evans, and performed by Berklee faculty. Covers: writing and voicing techniques; soli, background and shout choruses; special effects; creating your own style; and more.
- Sales Rank: #634748 in Books
- Brand: Berklee Press
- Model: 50449528
- Published on: 2003-02-01
- Released on: 2003-02-01
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x .56" w x 9.00" l, 1.65 pounds
- Binding: Paperback
- 216 pages
- Writing techniquesVoicing techniquesSoli, background and shout chorusesSpecial effects
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great arranging book!
By Charles A. Sleep
I bought this book for a jazz arranging class. This book is pretty comprehensive and full of good info, ripe for beginners.
5 of 5 people found the following review helpful.
Filling up the arranger's toolbox
By Eric Sedensky
This book was used as the text in my local college's jazz arranging class. Before enrolling in that class and buying this book, I had already purchased and begun studying the companion of this book, Modern Jazz Voicings: Arranging for Small and Medium Ensembles (Berklee Guide). Although this text is written in such a manner to stand alone and to give more than enough information for the first time arranger or casual jazz student, it frequently glosses over important subject matter by giving you the bare minimum of information and then directing the reader to the companion volume. So, for an intermediate to advanced student, or someone with a good foundation in jazz arranging, this book is definitely the way to go, as it will save time but still provide a lot of useful hints and strategies for arranging jazz compositions. It is very thorough on subject matter such as upper structures, quartal voicings, and concerted writing. It also contains chapters helpful in the overall construction of a piece, such as soli writing and shout choruses. The CD provides coherent examples and illustrations of the subject matter so that the book can cover a lot of ground and provide any jazz arranger with plenty of tools that will help him or her sound better and write more playable, better sounding pieces. I would recommend readers that are new to jazz arranging look into buying this book together with the companion volume for small ensembles, as it makes the study of arranging much more thorough and provides a lot more reinforcement of many of the ideas presented in this book. (That also happens to be what I did, as I said.) Advanced students or arrangers with some experience, however, should be able to get by with just this book. Either way, this is a great book to learn jazz arranging.
11 of 11 people found the following review helpful.
Great book with great recording examples
By Daniel Maudonnet
Arranging Jazz for Large Ensemble gives the readers the necessary skills to write for big bands. Although it is an advance subject in the Arranging area, the book starts with writing for unison and octaves. There are also great chapters about background writing with riff and guide tone lines. The Shout Chorus chapter provides beginners writers to fully understand the arrangement "big picture". All levels of arrangers can benefit from these chapters and their musical examples. They will help you memorize sound texture and effects as well as the writing techniques. As you go over the other chapters, you can easily assimilate their content and apply them successfully. It's unique and well written book, one of the best of its kind.
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